Did you have anytrouble with the blocking??I shook my head. ?No. The script was really clear about where I neededto stand and how I needed to move dur...ng the song.?I had allowed myself to fall into the role of Kaylee. It was easier thanthinking about my actions or my lines. If I treated it like we wereseparate people, that it was simply a story, and I was playing acharacter within it, perhaps I could maintain a separation betweenKaylee and Ryan.After all, the best actors in the world only. As part of the overall strategy, all of the staff 'piled it on' poor Phyllis. Shock therapy, as it were, was considered necessary. She had to be made to feel like she was suddenly in a whole new world. She also had to feel like there was nothing she could do about it. If left with any sense of a choice, there would be so much guilt that nothing would be accomplished.Thus, from the very first day, it seemed to Phyllis that there was always a male nearby, looking at her body or touching it. It. It was also downright noisy what with my grunting and her gasping. And it went on for quite a while. I was not sure I was going to survive.Finally we were simply heaving together, faster and faster until she spasmed and shook, screaming, "Fool, fool," as her climax washed over us. I barely paused in my own striving for release and soon had to grit my teeth to keep from squealing with pleasure as I exploded, my heavy ramrod fully extended and pumping thick gobs of jism into her, recoiling and. "Oui." Mom said quietly. "I think I do." She turned to face me full on, with a look that dared the future. My heart was pounding. "But," she turned to Mari, "what about you? Where does that leave you and, ... Awndy?" she added, mimicking Mari's pronunciation, smiling. Mari grinned as well. "I think that I want ... Andy." She admitted with a glance at me, trying hard to Americanize her pronunciation of my name. Her eyes came fully to mine. "I wish for you, ... and me, ... to be ...." Her.
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